Do conservative movies make more money?
MoviesThe Hollywood Reporter finds a study showing that the do (discussion available here).
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this invasion of the privacy of an 86-year-old-widow is truly shocking.
It reveals the most powerful woman the West has ever known as frail, feeble and lonely. But, you feel, almost against their will, director Phyllida Lloyd and screenwriter Abi Morgan (neither of whom, I suspect, would have approved of Mrs T when she was in office) couldn’t help but make an ill and powerless Margaret Thatcher sympathetic. . . .
big-name movie stars including actors George Clooney, Michael Douglas, Sharon Stone, Michael Keaton, Tom Hanks and his wife Rita Wilson. Filmmaker Steven Spielberg and his wife, actress Kate Capshaw, also gave to the 2012 campaign, according to the latest Federal Election Commission report. Jennifer Garner and Gwyneth Paltrow both contributed under their married names —Affleck and Martin, respectively.
“30 Rock” actor Alec Baldwin, who has often toyed with a potential political run, also shelled out cash for Obama’s second-quarter fundraising haul. And several other TV actors — such as “Monk”’s Tony Shalhoub, “Glee”’s Jane Lynch, “24”’s president Dennis Haysbert and sci-fi stars Scott Bakula and Richard Dean Anderson — joined Baldwin in contributing to the president’s reelection bid.
Comedians Will Ferrell, Carl Reiner and “The Simpsons”’s Yeardley Smith also doled out money for Obama, whose campaign attracted a record-breaking $86 million in donations. . . .
But what about the movie itself? There’s no big name actors (unless you count genre actor Armin Shimerman from “Buffy the Vampire Slayer” and “Deep Space Nine”) and a very small budget. Yet a story told from the point of view that rich guys are trying to save society while an apathetic government is content to let it lapse into ruin is itself highly unusual and does make one think. This is a thought-provoking film that asks you to use your brains instead of enduring explosions, car chases, and weapons fire, meaning that, by definition, it was never intended to be a mainstream film. The director, Paul Johansson, is himself credited for playing the mysterious John Galt, not to mention that this is part one of three (as the book is reportedly 1100 pages.) For what they had to work with and what was accomplished, the film succeeds in creating heroes of the main characters, making the mystery of John Galt’s designs and motivations compelling, and most importantly, setting up the remaining two parts of the trilogy.
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